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Zespół Living Colour powstał w 1984 r. w Nowym Jorku. Grupę założyło czterech afroamerykańskich muzyków: Corey Glover – wokal, Vernon Reid - gitara elekryczna, Will Calhoun – perkusja, Muzz Skillings - gitara basowa.

Już na początku swojej drogi otrzymali nieoczekiwane wspacie od Mick’a Jagger’a, które wziął ich pod swoje skrzydła i wyprodukował im demo.

Gdy w 1988 zadebiutowali płytą "Vivid", zmienili oblicze rocka. W początkach ówczesnej dekady muzyka rockowa była ściśle posegregowana, ale z ich jakże przełomową płytą wszystko uległo zmianie. Od tego czasu siła ich przekazu jedynie rosła.

Międzynarodową sławę przyniósł im utwór Cult of Personality, za który grupa otrzymała w 1989 r. nagrodę Grammy w kategorii “najlepszy utwór hardrockowy”. W tym samym roku uzyskali tytuł “najlepszego nowego artysty” rozdania nagród MTV Video Music Awards. W 1991 r. zespół wziął udział w pierwszej edycji rockowego festiwalu Lollapalooza. Do roku 1994 ich debiutancki album pokrył się multiplatyną, ich drugi album "Time's Up" był już złoty.

Wkrótce potem od grupy odszedł basista, Muzz Skillings - zastąpił go Doug Wimbish. W 1995 r. z powodu nieporozumień podczas prac nad kolejnym albumem doszło do rozpadu grupy. Przez prawie 6 lat muzycy prowadzili działalność solową, a w roku 2001 grupa reaktywowała się - najpierw na koncerty, potem zaś nagrała czwarty album studyjny, Collideoscope (2003).

Od momentu pojawienia się na scenie muzycznej zespół pokazał, że rock może jeszcze zabrzmieć inaczej. Swoim stylem zainspirowali wiele zespołów bardzo popularnych w latach 90tych tj. Rage Against The Machine, czy Sevendust. Muzyka proponowana przez Living Colour określana jest mianem crossover. Jest to mieszanka najróżniejszych styli: heavy metalu, rocka, free jazzu, funky, hip-hopu. Living Colour swobodnie żonglują ciężkimi gitarowymi riffami, szaleńczymi solówkami, pulsującą linią basową, a całości dopełnia charakterystyczny, haryzmatyczny głos Corey’a Glover’a.

Zespół znany jest również z zaangażwania się w sprawy społeczne tj. problemy mniejszości rasowych. Gitarzysta Vernon Reid jest współzałożycielem Black Rock Coalition - organizacji mającej na celu zerwanie z marginalizowaniem czarnoskórych muzyków w świecie rocka i metalu, zrzeszającej takich artystów jak np. 24-7 Spyz, Lenny Kravitz, King’s X, Sevendust, A Band Called Pain.

Najnowszy, studyjny album jest zatytułowane „The Chair In The Doorway” (2009) i jest pierwszym premierowym materiałem zespołu od pięciu lat.

Skład:
Will Calhoun - Drums and Percussion
Corey Glover - Lead Vocals
Vernon Reid - Guitars
Doug Wimbish - Bass and Ambience

Dyskografia:
Vivid (1988)
Live From CBGB’s (1989, wydane 2004)
Time’s Up (1990)
Stain (1993)
Collideoscope (2003)
Instant Live: Avalon, Boston, MA 10/17/04 (2005)
The Chair In The Doorway (2009)









WWW: www.livingcolour.com / www.myspace.com/livingcolourmusic / http://twitter.com/livingcolour / www.facebook.com/LivingColour

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During the 1980s, rock had become completely segregated and predictable; the opposite of the late '60s/early '70s, when such musically and ethnically varied artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New York's Living Colour helped break down the doors by the end of the '80s, leading to a much more open-minded musical landscape that would eventually pave the way for future bands (Rage Against the Machine, Sevendust, etc.). The group (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first formed in the mid-'80s, with Reid being the only member with real prior band experience; he was a member of Ronald Shannon Jackson's experimental jazz outfit, and had recorded with Defunkt, Public Enemy, as well as issuing a solo album with Bill Frisell, 1984's Smash & Scatteration.

It took the fledgling band a few years for their sound to gel, as they honed their act at N.Y.C.'s famed CBGB's. But the group found an unlikely supporter in Mick Jagger, who took the band under his wing, produced a demo for the quartet, and helped them secure a record deal with Epic (just prior, Glover had to take a brief leave of absence from the band, as he landed a role in Oliver Stone's Vietnam War epic movie, Platoon). Living Colour's debut album, Vivid, was issued in the summer of 1988, yet it would take a few months for momentum to build. By the winter, the band's striking video for their anthem "Cult of Personality" was all over MTV, pushing Vivid to the upper reaches of the charts and to platinum certification. Living Colour also took home their first of several Grammy Awards, as "Cult" won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones' first U.S. tour in eight years that autumn.

Starting with Vivid and continuing on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as "Open Letter to a Landlord," "Funny Vibe," among others). The quartet regrouped a year later for their sophomore effort, Time's Up, an album that performed respectfully on the charts but failed to live up to the expectations of their smash debut. An appearance at the inaugural Lollapalooza tour in the summer of 1991 kept the group in the public's eye, as did an EP of outtakes, Biscuits. Skillings left the group shortly thereafter (replaced by studio vet Doug Wimbish), as their darkest and most challenging release yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the band's large and dedicated following, as Living Colour appeared to be entering an interesting and groundbreaking new musical phase of their career. The band began writing the following year for what would be their fourth full-length, but an inability to settle on a single musical direction caused friction between the members, leading to Living Colour's demise in early 1995.

In the wake of Living Colour's split, all of its former members pursued other projects. Reid issued a solo album, 1996's Mistaken Identity (as well as guesting on other artist's recordings), while Glover attempted to launch a career as a solo artist, issuing the overlooked Hymns in 1998 and finding time to appear as a VJ on VH1 and acting in the 1996 movie Loose Women. Calhoun and Wimbish remained together and launched a new outfit, the drum'n'bass-inspired Jungle Funk, who issued a self-titled debut release in 1997 (Wimbish also issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several years by the early 21st century, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing often in the New York City area. A few days before Christmas in 2000, Headfake played a show at CBGB's, and were joined on-stage by Reid, which led to rumors of an impending Living Colour reunion. The rumors proved to be true, as Living Colour launched their first tour together in six years during the summer of 2001. In 2003, Living Colour returned with a deal with Sanctuary and their most experimental release to date, Collideoscope. Two years later the rarities collection What's Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006.

~ Greg Prato, All Music Guide